About Artwork
As I delve further into the practice of sculpture, I find myself increasingly drawn to the tensions between permanence and impermanence, tradition and innovation, silence and expression. Indian temple architecture, with its intricate carvings and spiritual gravitas, offers not only aesthetic inspiration but a philosophical lens through which I view the world. My work seeks to carry forward this spirit—not through replication, but through reinterpretation.
Working with stone and other tactile materials allows me to engage in a dialogue with time itself. Each chisel mark, each polished surface becomes a meditation on continuity and rupture. In this way, my sculptures serve as bridges—between the material and the metaphysical, the personal and the collective. I aim to create works that are not only seen but felt—embodied experiences that resonate across boundaries of language, geography, and belief.
In recent years, my focus has expanded to include collaborative practices and community-based projects. By inviting participation and co-creation, I aim to democratize the sculptural process, allowing multiple voices to shape the final form. These collective works reflect shared concerns, dreams, and histories, and are often displayed in public spaces where art can engage with everyday life.
Ultimately, my practice is guided by a desire to honor the sacred while confronting the profane. I believe in the power of sculpture to bear witness, to question, and to heal. Whether through monumental installations or intimate objects, I strive to craft spaces—physical and emotional—that encourage introspection, resistance, and renewal.